West African

familyStarted early 20th-century coastal dance bands, palm-wine guitar, praise music and urban nightlifePeak 1950s-1970s locally; major global crossover from the 2000s onwardLast big hit still active through Afrobeats and revival/reissue scenes

West African music in this tree covers the region's major popular and urban roots forms: highlife, Afrobeat, Afrobeats, jùjú, fuji, palm-wine guitar, makossa and coupé-décalé. It is a family of guitar bands, horn sections, talking drums, praise singing, club rhythms, diaspora exchange and city identity. The thread is movement: music built for ceremonies, dance floors, radio, politics, social status and cross-border circulation.

History

Coastal trade, colonial military bands, mission schools, local percussion traditions, Islamic praise practice, Caribbean records, jazz, soul, funk and later hip-hop all shaped West African popular music. Ghana and Nigeria drove highlife, jùjú, fuji and Afrobeat; Cameroon developed makossa; Côte d'Ivoire made coupé-décalé a continental club force; Lagos and Accra helped Afrobeats become a global pop language. Reissue labels and streaming now sit beside living local scenes.

Defining artists

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Essential listening

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Sources

  • African popular music histories
  • artist discographies
  • label catalogs
  • streaming and archival catalog checks