Samba-Canção
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Samba-canção is slower, more melodically weighted, and more bruised in mood than propulsive samba, often using lush orchestration, crooning delivery, and a strong sense of romantic sorrow known in Brazil as fossa or dor-de-cotovelo. The rhythm is still samba-derived, but it sits behind the voice rather than leading the body.
History
Emerging in Rio’s urban popular music during the late 1920s and flourishing on radio, in casinos, and in nightclubs during the 1940s and 1950s, samba-canção became the principal Brazilian language of heartbreak before bossa nova arrived; singers such as Nora Ney, Maysa, Dolores Duran, Dick Farney, Elizeth Cardoso, and Tito Madi shaped its intimate, harmonically refined melancholy, and bossa later inherited much of its emotional and harmonic vocabulary.
Defining artists
Essential listening
Sources
- Encyclopedia.com, "Samba"
- Bloomsbury Music & Sound, "Samba-canção"
- USP Jornal, "O samba-canção, a plataforma da modernidade musical brasileira." citeturn4search1turn4search9turn10search21