Piedmont Blues

tagStarted c. 1910Peak 1927–1941Last big hit 1963From Piedmont, United States

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Piedmont Blues is defined by thumb-and-finger fingerpicking, alternating bass, syncopated treble melodies, and a lighter rhythmic bounce than Delta blues. The guitar often outlines both bass line and danceable ragtime melody at once, giving the music a nimble, almost conversational complexity.

History

The style developed across the Piedmont region from Virginia through the Carolinas and into Georgia, drawing on African-derived plucked-string technique, ragtime, folk song, vaudeville, and blues. Blind Blake, Blind Boy Fuller, Rev. Gary Davis, Blind Willie McTell, Buddy Moss, and Etta Baker are central exemplars, and although the prewar recording market largely froze its classic image, the style survived through community musicians and the folk revival before returning to festivals and roots labels in the late twentieth century.

Defining artists

Essential listening

← Explore Blues

Sources

  • Music Maker Foundation, “Discover the Piedmont Blues”
  • Britannica, Etta Baker
  • North Carolina Music Office on Blind Boy Fuller
  • Smithsonian on John Cephas’s explanation of alternating thumb-and-finger picking