Percussive Guitar Blues

tagStarted c. 1920Peak 1965–2005Last big hit still active

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Percussive Guitar Blues treats the guitar as drum, bass, and melody instrument at once, using thumped strings, muted strums, open-tuning drones, slide hits, thumbed bass, and foot stomps. The technique is rhythmic first: notes slap, snap, buzz, and knock so the groove can survive even without a drummer.

History

The style reaches across country blues, Piedmont picking, Delta slide, and hill-country groove, but North Mississippi artists made percussive guitar especially central to trance-like blues. Mississippi Fred McDowell’s driving slide, Jessie Mae Hemphill’s guitar-and-tambourine attack, R. L. Burnside’s raw pulse, Junior Kimbrough’s vamping, Robert Belfour’s stomping guitar, and Cedric Burnside’s drum-informed guitar approach define the lane. It influenced solo blues performers, cigar-box-guitar players, garage blues, modern acoustic roots music, and loop-based one-person blues acts.

Defining artists

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Essential listening

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Sources

  • Samuel Charters, The Country Blues
  • Alan Lomax, The Land Where the Blues Began
  • AllMusic
  • Living Blues