Magnificat

tagStarted 1400Peak 1500–1800Last big hit still active

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Magnificat settings center on the canticle from Luke, often alternating exultant proclamation with luminous devotion and finely profiled textual contrasts. The sound typically favors bright choral sonority, festive trumpets or organ in larger settings, and a sense of liturgical joy tempered by reverence.

History

Used especially in Vespers, the Magnificat became a major sacred form for composers from Renaissance polyphonists to Monteverdi, Bach, Vivaldi, Stanford, Howells, Rutter, and Pärt; because the text naturally invites both grandeur and intimacy, it has remained one of the most durable canticle forms in sacred art music.

Defining artists

Essential listening

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Sources

  • Encyclopaedia Britannica
  • Oxford Music Online
  • Grove Music Online
  • cathedral and sacred label notes from Hyperion, BIS, and Naxos