Gothic / Dark / Occult Metal

familyStarted 1991Peak 1994-2004Last big hit still active

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A romantic, shadow-soaked branch of metal that trades aggression for atmosphere: down-tuned, mid-paced riffing draped over swelling keyboards, cellos, violins and pipe-organ pads, with tempos that crawl from funereal doom to brooding mid-gear. Vocals span the spectrum, from death-metal growls and theatrical baritones to operatic female sopranos, often paired in 'beauty and the beast' duets. Production is plush and reverberant, prioritizing melancholy, velvet, and decay over speed. Lyrics dwell on love, loss, mortality, religion and the occult, draping 19th-century Romantic and horror imagery over a heavy, hypnotic, candlelit foundation.

History

Gothic metal grew out of early-'90s English death-doom, where Paradise Lost, My Dying Bride and Anathema (the 'Peaceville Three', based in Yorkshire and Liverpool and signed to Peaceville Records) slowed death metal and added violins, keyboards and grief-stricken melody on records like Paradise Lost's Gothic (1991) and Icon (1993). In Brooklyn, Type O Negative fused doom, gothic rock and dark humor on Bloody Kisses (1993). Norway's Theatre of Tragedy codified the male-growl/female-soprano 'beauty and the beast' template (1995), spawning Tristania, The Sins of Thy Beloved and Within Temptation. The 2000s mainstream wave (Lacuna Coil, HIM, Evanescence) pushed the romantic, occult-tinged sound to platinum, while Bethlehem's Dark Metal (1994) seeded a bleaker depressive offshoot.

Defining artists

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Essential listening

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Sources

  • Wikipedia: Gothic metal
  • AllMusic: Gothic Metal genre overview
  • Encyclopaedia Metallum (Metal Archives)
  • Revolver: Type O Negative 'Bloody Kisses' oral history