Dancehall

tagStarted late 1970s-1980s Jamaica, from sound-system deejay culture and post-roots reggaePeak 1980s-presentLast big hit continuing global influence through dancehall, reggaeton, Afrobeats, pop and club musicFrom JamaicaSung in Jamaican Patois

Located in 2 routes

Dancehall is Jamaican deejay-centered music built from sound-system rivalry, riddims, toasting, digital drums, slackness, social commentary, dance moves and relentless single culture. It is closely related to reggae but has its own faster, more competitive and studio-driven identity. Dancehall's influence is enormous: its vocal cadences, riddim logic and dance culture run through hip-hop, reggaeton, Afrobeats, pop and global club music.

History

Dancehall developed as Jamaican sound systems shifted from roots reggae's band emphasis toward deejays, producers and riddim versions. Yellowman, Eek-A-Mouse, Sister Nancy and Tenor Saw defined early eras; digital production exploded after Wayne Smith's "Under Mi Sleng Teng"; Shabba Ranks, Super Cat, Beenie Man, Bounty Killer, Sean Paul, Vybz Kartel, Spice and Popcaan carried the form into global pop and internet culture.

Defining artists

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Essential listening

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Sources

  • Dancehall histories
  • Jamaican sound-system coverage
  • artist discographies
  • streaming/video catalog checks