Contemporary Ballet

tagStarted 1960Peak 1980–2019Last big hit still active

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Contemporary ballet music mixes classical ensemble craft with postminimal pulse, ambient harmony, electronics, amplified detail, cinematic crescendos, and modular structure suited to present-day choreography. The sound can be intimate and textural or large and immersive, often privileging atmosphere, repetition, and evolving harmonic fields over 19th-century number forms.

History

As ballet companies moved beyond the inherited repertory, choreographers and institutions increasingly commissioned living composers, drawing on minimalism, modernist chamber writing, electroacoustic sound, and post-classical aesthetics; this produced a lane in which composers such as Philip Glass, John Adams, Joby Talbot, Max Richter, Thomas Adès, and Nico Muhly became central to the contemporary stage.

Defining artists

Essential listening

← Explore Classical / Orchestral

Sources

  • Oxford Music Online
  • Grove Music Online
  • composer and company notes from Royal Ballet, New York City Ballet, and major labels
  • Encyclopaedia Britannica