Call-and-Response R&B

tagStarted c. 1940sPeak 1950s-1970s; recurring in gospel and group R&BLast big hit still active

Located in 1 route

Call-and-Response R&B is built around musical conversation: lead singer and backing group, soloist and choir, men and women, preacher and congregation, band and audience. The response can be a shouted phrase, harmony answer, horn riff, handclap or crowd hook. It comes from African diasporic, gospel and blues practice, and it gives R&B one of its deepest social forms: the song becomes a room talking back.

History

Gospel quartets, work songs, blues, jump bands and doo-wop all fed call-and-response into R&B. Ray Charles, The Coasters, James Brown, Aretha Franklin, The Staple Singers, Sly and the Family Stone, Parliament-Funkadelic, Boyz II Men and Destiny's Child used the device in different eras. It survives because it makes records participatory: even a listener alone can hear where their voice belongs.

Defining artists

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Essential listening

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Sources

  • R&B and gospel performance histories
  • African American music scholarship
  • AllMusic soul/R&B overviews
  • artist discographies