British Folk Revival
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British folk revival favors old songs, source-style singing, acoustic instruments, and a deliberate return to vernacular repertory as a living art rather than antiquarian curiosity. Depending on the performer, it can sound scholarly, rough, stark, or eerily beautiful, but it typically carries a strong sense of recovery and re-voicing.
History
The revival has two major waves: the collector-driven late-19th- and early-20th-century movement linked to figures such as Cecil Sharp, and the postwar club revival that turned collected and remembered material into a modern performance culture. Ewan MacColl, A.L. Lloyd, Shirley Collins, Anne Briggs, Martin Carthy, and the Watersons shaped how British audiences heard traditional song in the second wave. Their work influenced everything from later English folk to folk rock, while also raising endless arguments about authenticity—the unofficial sport of revival scenes everywhere.
Defining artists
Essential listening
Sources
- EFDSS on English folk song and Cecil Sharp
- Encyclopaedia Britannica on folk-music revival contexts. citeturn3search15turn3search3turn10search0turn10search12