Basso Continuo

tagStarted c. 1600Peak 1600–1750Last big hit c. 1800

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Basso Continuo is less a repertoire bucket than the defining Baroque accompaniment texture: a bass line realized by chordal keyboard or plucked instrument, often reinforced by cello, bass viol, bassoon, or theorbo. Its sound is elastic and alive, giving Baroque music both harmonic spine and conversational freedom.

History

Introduced at the beginning of the seventeenth century, continuo transformed how harmony worked in performance by making accompaniment partly improvised and idiomatically responsive. It underpins monody, opera, cantata, trio sonata, concerto, and much sacred music, and its revival through period performance has been one of the main reasons Baroque music now feels rhythmically alert instead of museum-stiff.

Defining artists

Essential listening

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Sources

  • Encyclopaedia Britannica, “Basso continuo” citeturn8search0
  • Encyclopaedia Britannica, “Continuo instrument” citeturn8search4
  • Encyclopaedia Britannica, “Baroque music” citeturn1search1